Websites built in collaboration with design agencies and studios across Europe.
A Paris architecture practice working internationally, with a focus on material — how buildings, interiors, and furniture are made and what they're made of. One of the smoothest collaborations I've had: everything was agreed and signed off before I started building.
An annual design festival in Como — exhibitions, installations, and talks that move freely between design disciplines. Como is home, and building the platform for a festival on your own doorstep brings a different kind of attention to the work.
A Venice architecture studio whose projects start from where they sit — the landscape, the territory, the local relationships that shape what gets built. This one went further than the usual brief: there was no agency involved, so we designed the site together, iterating until it felt right.
Marc Mimram Architecture Ingénierie is a Paris firm that designs bridges and complex structures, where the engineering is as considered as the architecture. Mimram builds bridges and stadiums that somehow feel weightless. The design — black on white, Monument type, red used once — matched that instinct. My part was making it hold: image handling, grid refinement, getting the scale of the work to come through without the site buckling under it.
An archive film festival held at the Villa del Grumello on Lake Como, run with the Centro Sperimentale di Cinematografia to keep Italian cinema history in view. An intimate festival — archive cinema, long conversations, a historic lakeside villa as the venue. Lorenzo and I have worked together for nearly fifteen years, mostly in the cultural sector, and that ease showed: the main challenge here wasn't the aesthetic, it was untangling a programme that mixed lectures, projections and talks in a way that actually made sense to navigate.
A contemporary art gallery in Paris, showing both new names and long-established ones. The gallery represents everything — paintings, sculpture, ceramics, photography, wood. A lot of mediums, a lot of very large files. The real challenge was the images: the client wanted full-resolution works zoomable in a lightbox, which meant tuning the server to handle it without breaking. Nicola Aguzzi art-directed; my job was making sure nothing got in the way of the work.
A wallpaper and décor studio in Tours, making hand-produced papers and historical reeditions. Atelier d'Offard works in techniques that almost nobody else still uses — historical patterns, production methods that predate mass manufacturing. They're precious about the heritage, rightly so, and Undo-Redo translated that into a design that asks the site to do one thing: get out of the way and let the detail in the work speak. The images needed to be explorable — the craftsmanship only reveals itself up close.
An Italian shower-systems brand designing for high-end hotels and residences, in Italy and abroad. Premium materials, modern forms — the kind of product where a hotel art director and a specifying architect are both on the site for different reasons. Lorenzo's approach was smart: lead with projects and atmosphere, let the specs sit behind for whoever needs them. There's also a private section — registered users can download product files including 3D models — which added a layer of complexity to a site that needed to feel effortless on the surface.
A non-profit that works on two fronts: widening access to healthcare, and training the medical professionals who provide it, through partnerships and education programmes. Work that rarely gets the attention it deserves; getting the platform right felt important.
