A developer with a photographer's eye and a deep understanding of architecture. I understand what's needed from a website because I share your perspective on visual craft.
See the workA Paris-based architecture practice working internationally, focusing on the materiality of buildings, interiors, and furniture. One of the smoothest collaborations I've had — everything was cleared and agreed before a line of code was written.
Annual design festival held in Como, featuring exhibitions, installations, and talks that explore the boundaries between design disciplines. Como is home — building the platform for a festival on your own doorstep brings a different kind of attention to the work.
Marc Mimram Architecture Ingénierie is a Paris-based firm specialising in bridge design and complex architectural structures, combining engineering precision with architectural beauty. Mimram builds bridges and stadiums that somehow feel weightless. The design — black on white, Monument type, red used once — matched that instinct. My part was making it hold: image handling, grid refinement, getting the scale of the work to come through without the site buckling under it.
Contemporary art gallery located in Paris, representing both established and emerging artists with regular exhibitions showcasing diverse artistic practices. The gallery represents everything — paintings, sculpture, ceramics, photography, wood. A lot of mediums, a lot of very large files. The real challenge was the images: the client wanted full-resolution works zoomable in a lightbox, which meant tuning the server to handle it without breaking. Nicola Aguzzi art-directed; my job was making sure nothing got in the way of the work.
Specialised wallpaper and decor studio based in Tours, creating artistic wallpapers and historical reeditions that combine traditional craftsmanship with contemporary design. Atelier d'Offard works in techniques that almost nobody else still uses — historical patterns, production methods that predate mass manufacturing. They're precious about the heritage, rightly so, and Undo-Redo translated that into a design that asks the site to do one thing: get out of the way and let the detail in the work speak. The images needed to be explorable — the craftsmanship only reveals itself up close.
Small studios don't need agencies. You need a person who speaks your language and shows up reliably. I become your go-to developer: no pitch decks, no account managers, just direct collaboration from idea to launch.
For smaller projects, I handle everything: photography, design direction, and development. It's efficient, coherent, and nothing gets lost between disciplines — because one person holds all the threads.
Architecture studios, cultural institutions, design brands — these are my people. If your work lives at the intersection of craft and ideas, we'll speak the same language.
