A developer with a photographer's eye, fluent in how architects and designers think. I know what a design needs because I look at it the way you do.
See the workA Paris architecture practice working internationally, with a focus on material — how buildings, interiors, and furniture are made and what they're made of. One of the smoothest collaborations I've had: everything was agreed and signed off before I started building.
An annual design festival in Como — exhibitions, installations, and talks that move freely between design disciplines. Como is home, and building the platform for a festival on your own doorstep brings a different kind of attention to the work.
Marc Mimram Architecture Ingénierie is a Paris firm that designs bridges and complex structures, where the engineering is as considered as the architecture. Mimram builds bridges and stadiums that somehow feel weightless. The design — black on white, Monument type, red used once — matched that instinct. My part was making it hold: image handling, grid refinement, getting the scale of the work to come through without the site buckling under it.
A contemporary art gallery in Paris, showing both new names and long-established ones. The gallery represents everything — paintings, sculpture, ceramics, photography, wood. A lot of mediums, a lot of very large files. The real challenge was the images: the client wanted full-resolution works zoomable in a lightbox, which meant tuning the server to handle it without breaking. Nicola Aguzzi art-directed; my job was making sure nothing got in the way of the work.
A wallpaper and décor studio in Tours, making hand-produced papers and historical reeditions. Atelier d'Offard works in techniques that almost nobody else still uses — historical patterns, production methods that predate mass manufacturing. They're precious about the heritage, rightly so, and Undo-Redo translated that into a design that asks the site to do one thing: get out of the way and let the detail in the work speak. The images needed to be explorable — the craftsmanship only reveals itself up close.
Small studios don't need agencies. You need a person who speaks your language and shows up reliably for the next project too. I become your go-to developer: no pitch decks, no account managers, just a direct line to the person building the thing.
For smaller projects, I handle everything: photography, design direction, and development. It's efficient, coherent, and nothing gets lost between disciplines — because one person holds all the threads.
Architecture studios, cultural institutions, design brands — these are my people. If your work lives where craft meets ideas, you won't have to explain yourself twice.
